The Matriarchs,    2016    Archival Pigment Prints + Single Channel Video with custom designed textile pattern.   In  The Matriarchs,  I collaborate with all the women in my family to produce a series of still-life photographs, portraits, and cinematic imagery. References to mythical protagonists such as saints, deities, and other famous icons are interjected throughout. The images emphasize physical gestures of connectivity, hierarchy, balance, and tension--all allusions to the dynamics that exist between women in family units. Set in the subtropics, the work conflates female identity amidst a disappearing South Floridian territory.Ultimately this series is about contemplating loss while maintaining that the feminine presence is tender, generative, and powerful.
       
     
05_Molina_SelfPortraitasChaiseLoungeofAnnaFreud.jpg
       
     
  Various Topographies, 2014  | Series of collages that served as "sketches" for  Anna Freud and Her Father  project
       
     
  New, 2013  | Deconstructed artist's book (4" x 6"): eight digital collage c-prints and risograph text inside of custom made envelopes + Digital animation made from cut fragments of original images.  Commissioned by Pelican Bomb's community supported art program, get yours  here
       
     
  Crystal Radio ,  2012-14   Interactive installation with custom denta-mandibular sound transmitting lollipops, and miniature video projections, inside of mirrored hexagonal sculptures.
       
     
  Sabor-Saber-Savor ,  2011-14   Photographic installation with stereo visor.
       
     
  Darling / Dearest 2011-13   Singing greeting card with proximity sensor and filigree engraving. 
       
     
 Installation view of  Two Fans, 2012  at the Contemporary Art Gallery at Southeastern Louisiana University.  Single Channel HD video.